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Lecturer(s)
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Kudláč Jakub, prof. Mgr. Ph.D.
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Dvořáčková Markéta, Mgr.
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Course content
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Course contents: Euroepan cinematography after the WWII. Italian neo-realism. The Authorship idea and an art film. New waves. Hollywood 1960-1980 Cinematography of the Eastern block 1945-1989 Soviet cinematography 1945-1991 Development of West European cinematography fields after 1968 Asian cinematography Latin America cinematography Australia and New Zeeland cinematography American cinematography and the entertainment industry in the 80's Contemporary film
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Learning activities and teaching methods
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Lecturing, Dialogic (Discussion, conversation, brainstorming), Analysis of a work of art
- Participation in classes
- 48 hours per semester
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| learning outcomes |
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| Knowledge |
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| The student will be able to: - think critically about approaches to film history |
| The student will be able to: - think critically about approaches to film history |
| - describe the link between social development and cinema |
| - describe the link between social development and cinema |
| - explain innovations in audiovisual technology |
| - explain innovations in audiovisual technology |
| - understand the development of the history of world cinema from its origins to 1945 |
| - understand the development of the history of world cinema from its origins to 1945 |
| - analyse and interpret the films of selected authors |
| - analyse and interpret the films of selected authors |
| Skills |
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| Student - proposes the concept of a fifteen-minute lecture on all assigned topics in the history of world cinema |
| Student - proposes the concept of a fifteen-minute lecture on all assigned topics in the history of world cinema |
| - selects significant and typical films about which he/she is prepared to speak knowledgeably |
| - selects significant and typical films about which he/she is prepared to speak knowledgeably |
| - analyses and interprets a film of his/her choice |
| - analyses and interprets a film of his/her choice |
| - will develop assignments on selected (and possibly current) issues in the study of film history |
| - will develop assignments on selected (and possibly current) issues in the study of film history |
| teaching methods |
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| Knowledge |
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| Lecturing |
| Lecturing |
| Dialogic (Discussion, conversation, brainstorming) |
| Dialogic (Discussion, conversation, brainstorming) |
| Analysis of a work of art |
| Analysis of a work of art |
| assessment methods |
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| Analysis of a presentation given by the student |
| Analysis of a presentation given by the student |
| Composite examination (Written part + oral part) |
| Composite examination (Written part + oral part) |
| Essay |
| Essay |
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Recommended literature
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BORDWELL, David a Kristin THOMPSON. Dějiny filmu: přehled světové kinematografie. V Praze: Akademie múzických umění, 2011. ISBN 978-80-7331-207-7.
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BORDWELL, David a Kristin THOMPSON. Umění filmu: úvod do studia formy a stylu. Praha: Nakladatelství Akademie múzických umění v Praze, 2011. ISBN 978-80-7331-217-6.
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CASETTI, Francesco. Filmové teorie 1945-1990. Praha: Nakladatelství Akademie múzických umění v Praze, 2008. ISBN 978-80-7331-143-8.
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Časopisy. Film a doba, Cinepur, Iluminace, Kino-Ikon, aj..
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KOKEŠ, Radomír D. Rozbor filmu. Brno: Filozofická fakulta Masarykovy univerzity, 2015. ISBN 978-80-210-7756-.
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KOVÁCS, András Bálint. Screening modernism: European art cinema, 1950-1980. Chicago: University of Chicago Press, 2007. ISBN 9780226451657.
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KUHN, Annette a Guy WESTWELL. Authorship. + Genre. In: A dictionary of film studies.. Oxford University Press, ix, 516 s. Oxford paperback reference. Oxford, 2012. ISBN 978-0-19-958726-1.
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NELMES, Jill. Introduction to film studies. Fifth edition.. Routledge, xxv, 536 s. London, 2012. ISBN 978-0-415-58257-5.
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NICHOLS, Bill. Engaging cinema: an introduction to film studies. New York: W.W. Norton & Company, 2010. ISBN 978-0-393-93491-5.
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NOWELL-SMITH, Geoffrey. The Oxford history of world cinema. Oxford: Oxford University Press, 1996. ISBN 0198742428.
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STAM, Robert a Toby MILLER. Film and theory: an anthology.. MA: Blackwell Publishing, xviii, 862 s. Malden, 2000. ISBN 0-6312-0626-4.
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SZCZEPANIK, Petr. Nová filmová historie: antologie současného myšlení o dějinách kinematografie a audiovizuální kultury. Praha: Herrmann, 2004. ISBN 80-239-4107-0.
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Thompson, Kristin. Breaking the glass armor : neoformalist film analysis. Princeton, N.J. ; Guildford : Princeton University Press, 1988. ISBN 0-691-06724-4.
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THOMPSONOVÁ, Kristin. Neoformalistická filmová analýza: jeden přístup, mnoho metod.. Iluminace č. 1, s. 5-36. 1998.
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THOMPSONOVÁ, Kristin. Realismus ve filmu: Zlode?ji kol.. Iluminace 10, c?. 2, s. 69?86. 1998.
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