Lecturer(s)
|
-
Bébarová Jana, Mgr. Ph.D.
|
Course content
|
Credit is awarded after an elaboration of an assigned work: an introduction of a selected Czech/Slovak event in a form of a presentation.
|
Learning activities and teaching methods
|
Dialogic (Discussion, conversation, brainstorming), Projection (static, dynamic), Analysis of a work of art, Individual work of students
- Participation in classes
- 20 hours per semester
|
prerequisite |
---|
Knowledge |
---|
Basic knowledge of the history and theory of film and audiovisual culture. |
Basic knowledge of the history and theory of film and audiovisual culture. |
learning outcomes |
---|
Student can work with text. Student can work with sources (literature, internet). Student can characterize the programming of a film festival. Student can describe the specifics of a film festival / industry section. Student can think in contexts. |
Student can work with text. Student can work with sources (literature, internet). Student can characterize the programming of a film festival. Student can describe the specifics of a film festival / industry section. Student can think in contexts. |
Skills |
---|
Student can write an essay. Student can make a presentation. Student knows the festival scene. Student can distinguish the specifics of film festivals and industry sections. Student can characterize the programming strategies of film festivals and industry sections. |
Student can write an essay. Student can make a presentation. Student knows the festival scene. Student can distinguish the specifics of film festivals and industry sections. Student can characterize the programming strategies of film festivals and industry sections. |
teaching methods |
---|
Knowledge |
---|
Analysis of a work of art |
Projection (static, dynamic) |
Dialogic (Discussion, conversation, brainstorming) |
Dialogic (Discussion, conversation, brainstorming) |
Individual work of students |
Individual work of students |
Analysis of a work of art |
Projection (static, dynamic) |
assessment methods |
---|
Systematic observation of the student |
Analysis of creative works (Music, visual arts, literature) |
Analysis of creative works (Music, visual arts, literature) |
Conversation |
Conversation |
Preparation of a presentation, giving a presentation |
Preparation of a presentation, giving a presentation |
Systematic observation of the student |
Analysis of a presentation given by the student |
Analysis of a presentation given by the student |
Recommended literature
|
-
DE VALCK, Marijke (ed). Film Festivals.. Routledge, 2016. ISBN 978-0415712477.
-
EDWARDS Rona, SKERBELIS Monika. The Complete Filmmaker's Guide to Film Festivals: Your All Access Pass to launching your film on the festival circuit.. Michael Wiese Productions, 2012. ISBN 978-1615930883.
-
HOLLAND Christopher. Film Festival Secrets: A Handbook For Independent Filmmakers.. Stomp Tokyo, 2008. ISBN 978-0971835610.
-
IORDANOVA, Dina Iordanova (ed.). The Film Festival Reader, St Andrews Film Studies.. 2015. ISBN 978-1908437082.
-
KURZ, Sibylle. Pitch it!.. V Praze: Akademie múzických umění, 2013. ISBN 978-80-7331-284-8.
-
WONG HING-YUK, Cindy. . Film Festivals: Culture, People, and Power on the Global Screen.. Rutgers University Press, 2011. ISBN 978-0813551210.
|