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Lecturer(s)
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Course content
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. Learning the basics of the work of a sound master in recording contact sound (individual devices - practical demonstrations) and subsequent processing on the post-production DAW Avid ProTools - especially on the HDX12 system, Apple OSX platform. Emphasis is placed on communication with the editing department and the director in all parts of AV production. The student will use the knowledge mainly during the implementation of the basic first-year exercises and individual field tasks, which focus on the basics of editing in DAW Avid ProTools using the basics of working with processing and metadata. Thematic areas: - basics of communication and work of a sound master in recording contact sound (individual devices - practical tests) - MAC (OSX) platform vs. Windows - basic knowledge of the DAW - Avid ProTools - basics of communication in the film crew - project preparation and communication with the editing workplace - methods of measuring I. and exporting the project - consultation of semester work and assigned exercises during the semester
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Learning activities and teaching methods
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Exercises on PC, Practice exercises, Students working in pairs
- Participation in classes
- 72 hours per semester
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| prerequisite |
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| Knowledge |
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| The student has general knowledge in the field of information technology. Self-study is a basic prerequisite for successful mastering of the subject (according to literature, internet sources, etc.). |
| The student has general knowledge in the field of information technology. Self-study is a basic prerequisite for successful mastering of the subject (according to literature, internet sources, etc.). |
| learning outcomes |
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| The student will learn to communicate in the film crew - especially in relation to directing and editing. He is able to make a short film and exercises according to the assignment. |
| The student will learn to communicate in the film crew - especially in relation to directing and editing. He is able to make a short film and exercises according to the assignment. |
| teaching methods |
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| Exercises on PC |
| Practice exercises |
| Practice exercises |
| Students working in pairs |
| Students working in pairs |
| Exercises on PC |
| assessment methods |
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| Analysis of educational material |
| Analysis of a work of art |
| Analysis of a work of art |
| Analysis of educational material |
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Recommended literature
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AVID. ProTools Reference Guid v.12.8.2. Guide Part Number, 2009. ISBN 9329-65871.
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Bláha Ivo. Zvuková dramaturgie audiovizuálního díla.. 3. vydání, Praha: AMU, 2014. ISBN 978-80-7331-303-6.
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BRIXEN B. Eddy. Audio Metering - Measurements, Standards and Practice.. 2. vydání. UK: Focal Press, 2014. ISBN 978-0-240-81467-4.
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Grečnár Jan. Zvuková realizácia filmu - umenie majstra zvuku. Juga. 2012. ISBN 978-80-89030-50-7.
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HUBER, M. David & RUNSTEIN E. Robert. Moder recording Techniques.. 9. vydání, NewYork: Routledge, 2018. ISBN 978-1-138-95437-3.
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MILES Dean. Location audio simplified: Capturing your audio..and your Audience.. UK: Focal Press, 2014. ISBN 978-1138018778.
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OWSINSKI Bobby. The mixing engineer´s handbook.. 4. vydání, USA: BobbyOwsinski Media Group, 2017. ISBN 978-0-9985033-4-9.
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VIERS Ric. The Location Sound Bible: How to Record Professional Dialog for Film and TV.. USA: Michael Wiese Productions, 2012. ISBN 978-1615931200.
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