|
Lecturer(s)
|
-
Gogola Jan, doc. Mgr. MgA.
|
|
Course content
|
This interactive seminar focuses on the practical work of students in the given year. Collective and individual consultations are held, where students also relate to the materials of others. The stage of completion of graduate films and theoretical works, use of knowledge and experience acquired during the entire period of study. Analysis of the rough shot material and individual versions of the editing with a demonstration of how different concepts of assembly and editing can change the form and tone of the film, including examples from already finished or completed professional films. Attention will also be paid to other components of post-production (music, soundtracks, mix, tricks, visual effects, graphics, the poster). Analysis and rewriting, correspondence, and editing of the latest versions of the Master's Thesis.
|
|
Learning activities and teaching methods
|
Dialogic (Discussion, conversation, brainstorming), Methods for written tasks (e.g. comprehensive exams, written tests)
- Participation in classes
- 26 hours per semester
|
| prerequisite |
|---|
| Knowledge |
|---|
| Ability of long-term and concentrated work of individual and group character. |
| Ability of long-term and concentrated work of individual and group character. |
| learning outcomes |
|---|
| The student has deeper knowledge in the field of analysis of film work, dramaturgy and screenwriting, but also philosophy and social sciences, which he is able to apply in a well-founded way in his profession. |
| The student has deeper knowledge in the field of analysis of film work, dramaturgy and screenwriting, but also philosophy and social sciences, which he is able to apply in a well-founded way in his profession. |
| -director's methods of fiction film -director's methods of documentary -working with actors -working with social actors -continual and discontinuous montage |
| -director's methods of fiction film -director's methods of documentary -working with actors -working with social actors -continual and discontinuous montage |
| Skills |
|---|
| -film directing of fiction genres -film directing of fiction anti-genres -film directing of documentary genres -film directing of documentary anti-genres -analysis of raw film material |
| -film directing of fiction genres -film directing of fiction anti-genres -film directing of documentary genres -film directing of documentary anti-genres -analysis of raw film material |
| teaching methods |
|---|
| Knowledge |
|---|
| Dialogic (Discussion, conversation, brainstorming) |
| Dialogic (Discussion, conversation, brainstorming) |
| Methods for written tasks (e.g. comprehensive exams, written tests) |
| Methods for written tasks (e.g. comprehensive exams, written tests) |
| assessment methods |
|---|
| Conversation |
| Analysis of the student's performance |
| Conversation |
| Analysis of the student's performance |
|
Recommended literature
|
-
Antonioni, M. Kuželník u Tiberu. ISBN 605-22-855.
-
Bergman, I. Laterna Magica. ISBN 01-110-91.
-
BESSY, Maurice. Orson Welles. Orbis.
-
Borstin, Jon. Tajemství filmové řeči. Universum. ISBN 978-80-7617-619-5.
-
Bresson, Robert. Poznámky o kinematografu. Dauphin - Praha.
-
Buňuel, L. Do posledního dechu. ISBN 80-903455-0-6.
-
Eco, Umberto. Jak napsat diplomovou práci. Olomouc : Votobia, 1997. ISBN 8071981737.
-
EJZENŠTEJN, Sergej. Paměti. Odeon. ISBN 01-010-88.
-
Epstein, Jean. Poetika obrazů. Herrmann a synové - Praha.
-
Fellini, F. Dělat film. ISBN 401-22-856.
-
Godard, J. L. Príběh(y) filmu. ISBN 80-903678-2-8.
-
Godard, Jean-Luc. Jean-Luc Godard - texty a rozhovory. Vyd. 1. Jihlava : JSAF, 2005. ISBN 80-903513-6-0.
-
Juráček, P. Deník (1959 - 1974). ISBN 59-044-03.
-
K. P. Liessmann. Teorie nevzdělanosti. Academia Praha, 2008. ISBN 978-80-200-1677-5.
-
Truffaut, Francois. Rozhovory Hitchcock - Truffaut. ISBN 59-227-83.
|