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Lecturer(s)
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Course content
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- Students takes part in all activities of a selected studio
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Learning activities and teaching methods
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Activities related to graphics and visual arts
- Participation in classes
- 12 hours per semester
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| prerequisite |
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| Knowledge |
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| The student is able to realize and defend his/her own ideas. |
| The student is able to realize and defend his/her own ideas. |
| learning outcomes |
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| The student is able to continuously develop own visual skills. |
| The student is able to continuously develop own visual skills. |
| This course allows students to get deeper theoretical and practical insight into the problems of a different field (specialization) of audiovisual studies than the one they are studying. Students can choose one of the following specialisations according to their own interest: directing and screenwriting, cinematography, production, editing, sound composition or visual effects. Admission and the scope of the internship are subject to capacity limitations and the approval of the supervising teacher of the discipline, who will assess the applicant's talent and learning abilities. Students are able to: - describe the basic working practices typical of the specialty. - explain the primary patterns (typical of the specialty) - define basic professional terminology |
| This course allows students to get deeper theoretical and practical insight into the problems of a different field (specialization) of audiovisual studies than the one they are studying. Students can choose one of the following specialisations according to their own interest: directing and screenwriting, cinematography, production, editing, sound composition or visual effects. Admission and the scope of the internship are subject to capacity limitations and the approval of the supervising teacher of the discipline, who will assess the applicant's talent and learning abilities. Students are able to: - describe the basic working practices typical of the specialty. - explain the primary patterns (typical of the specialty) - define basic professional terminology |
| Skills |
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| This course allows students in the TPAT program to delve deeper theoretically and practically into the issues of a different field (specialization) of audiovisual studies than the one they are studying. Students can choose one of the following specialisations according to their interest: directing and scriptwriting, cinematography, production, editing, sound composition or visual effects. Admission and the scope of the internship are subject to capacity limitations and the approval of the supervising teacher of the discipline, who will assess the applicant's talent and learning abilities. Students can manage: - use professional terminology (for the given specialisation) - apply theoretical knowledge of working practices (for the specialisation) - use software practically (for the specialisation) |
| This course allows students in the TPAT program to delve deeper theoretically and practically into the issues of a different field (specialization) of audiovisual studies than the one they are studying. Students can choose one of the following specialisations according to their interest: directing and scriptwriting, cinematography, production, editing, sound composition or visual effects. Admission and the scope of the internship are subject to capacity limitations and the approval of the supervising teacher of the discipline, who will assess the applicant's talent and learning abilities. Students can manage: - use professional terminology (for the given specialisation) - apply theoretical knowledge of working practices (for the specialisation) - use software practically (for the specialisation) |
| teaching methods |
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| Knowledge |
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| Activities related to graphics and visual arts |
| Activities related to graphics and visual arts |
| assessment methods |
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| Analysis of the student's performance |
| Grade (Using a grade system) |
| Analysis of the student's performance |
| Grade (Using a grade system) |
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Recommended literature
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BORDWELL, David; THOMPSON, Kristin. Umění filmu. Úvod do studia formy a stylu. Praha, 2018. ISBN 978-80-7331-217-6.
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Field, Syd. Screenplay : the foundations of screenwriting. New expanded ed. New York : Delacorte Press, 1982. ISBN 0-440-57647-4.
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Katz, Steven D. Film directing shot by shot : visualizing from concept to screen. [1st ed.]. Studio City, CA. : Michael Wiese Productions in conjunction with Focal Press, 1991. ISBN 0-941188-10-8.
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kolektiv. American Cinematogrpher Manual.
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Maureen Ryan. Producer to Producer: A Step-By-Step Guide to Low Budgets Independent Film Producing.
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Snyder, Blake. Save the cat.
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Yewdall, David Lewis. Practical art of motion picture sound. 3rd ed. Burlington, MA : Focal Press, 2007. ISBN 0-240-80865-7.
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