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Lecturer(s)
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Course content
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1. Jan Švankmajer. 2. Japanese animation (context, development, independent production). 3. Japanese animation - anime theory. 4. Japanese animation - Miyazaki. 5. Japanese animation - key works and authors.
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Learning activities and teaching methods
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Lecturing, Dialogic (Discussion, conversation, brainstorming), Analysis of a work of art
- Participation in classes
- 24 hours per semester
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| prerequisite |
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| Knowledge |
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| Basic knowledge of means of expression in Cinematography. |
| Basic knowledge of means of expression in Cinematography. |
| learning outcomes |
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| to distinguish the characteristics of the artists discussed |
| to distinguish the characteristics of the artists discussed |
| to have the basics of film analysis |
| to have the basics of film analysis |
| navigate through the fundamental figures of cinematography |
| navigate through the fundamental figures of cinematography |
| to gain insight into the relationship between film history and societal context |
| to gain insight into the relationship between film history and societal context |
| to create an overview of key film works |
| to create an overview of key film works |
| Skills |
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| construct one's own argumentation |
| construct one's own argumentation |
| critically perceive audiovisual works |
| critically perceive audiovisual works |
| to analyse selected works |
| to analyse selected works |
| to analyse the artist's handwriting |
| to engage in a discussion about a work |
| to engage in a discussion about a work |
| to analyse the artist's handwriting |
| teaching methods |
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| Knowledge |
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| Analysis of a work of art |
| Dialogic (Discussion, conversation, brainstorming) |
| Lecturing |
| Lecturing |
| Analysis of a work of art |
| Dialogic (Discussion, conversation, brainstorming) |
| assessment methods |
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| Oral examination |
| Oral examination |
| Analysis of a presentation given by the student |
| Analysis of a presentation given by the student |
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Recommended literature
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Bendazzi, Giannalberto. Cartoons : one hundred years of cinema animation. Bloomington, Ind : Indiana University Press, 1994. ISBN 0-253-20937-4.
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Bordwell, David a Kristin Thopson. Umění filmu: úvod do studia formy a stylu. Praha, 2011. ISBN 978-80-7331-217-6.
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FURNISS, Maureen. Animation: the global history. London: Thames & Hudson, 2017. ISBN 978-0-500-25217-8.
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Gregor, Lukáš. Základy analýzy animované filmu. Univerzita Tomáše Bati ve Zlíně, 2011. ISBN 978-807454-112-4.
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KOKEŠ, Radomír D. Rozbor filmu. Brno: Filozofická fakulta Masarykovy univerzity, 2015. ISBN 978-80-210-7756-.
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Napier, Susan Jolliffe. Anime from Akira to Princess Mononoke : experiencing contemporary Japanese animation. 1st ed. New York : Palgrave, 2001. ISBN 312238630.
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Ptáček, Luboš. Metamorfózy imaginace: Celovečerní filmy Jana Švankmajera. 2021. ISBN 978-80-87292-48-8.
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ŠVANKMAJER, Jan. Jan Švankmajer: možnosti dialogu : mezi filmem a volnou tvorbou. V Řevnicích: Arbor vitae, 2012. ISBN 978-80-7467-015-2.
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Švankmajer, Jan. Síla imaginace. Vyd. 1. Praha : Mladá fronta, 2001. ISBN 802040922X.
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Wells, P. Understanding Animation. Routledge, 1998.
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