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Lecturer(s)
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Course content
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1. Light in terms of physics. 2. Light in visual arts. 3. Definition of colour. 4. Color from a physical, physiological, psychological, and visual perspective. 5. History of color exploration. 6. 7 colour contrasts (harmonies) according to Johann Itten. 7. Basics of image composition. 8. Perspective. 9. Overview of painting techniques. 10. Color in graphic design.
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Learning activities and teaching methods
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Monologic (Exposition, lecture, briefing), Dialogic (Discussion, conversation, brainstorming), Projection (static, dynamic), Activities related to graphics and visual arts
- Participation in classes
- 14 hours per semester
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| prerequisite |
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| Knowledge |
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| - high school knowledge of art education. |
| - high school knowledge of art education. |
| Skills |
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| - recognize at least basic colours - to be at least a little interested in physics - to be interested in the anatomy and physiology of human vision - to be interested in visual arts - have elementary knowledge of the history of visual arts |
| - recognize at least basic colours - to be at least a little interested in physics - to be interested in the anatomy and physiology of human vision - to be interested in visual arts - have elementary knowledge of the history of visual arts |
| learning outcomes |
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| Knowledge |
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| to understand theoretical knowledge of the physics of light, anatomy and physiognomy of human vision |
| to understand theoretical knowledge of the physics of light, anatomy and physiognomy of human vision |
| to define the concept of colour |
| to define the concept of colour |
| to list the seven basic colour contrasts according to Johann Itten |
| to list the seven basic colour contrasts according to Johann Itten |
| to describe the history of colour research |
| to describe the history of colour research |
| to characterise the role of light in the visual arts |
| to characterise the role of light in the visual arts |
| Skills |
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| to apply theoretical knowledge in the field of audiovisual production |
| to apply theoretical knowledge in the field of audiovisual production |
| to distinguish painting techniques |
| to distinguish painting techniques |
| to analyze a painting with an emphasis on its colour and light work |
| to analyze a painting with an emphasis on its colour and light work |
| to analyse a painting with an emphasis on its work with light |
| to analyse a painting with an emphasis on its work with light |
| to analyse the treatment of perspective |
| to analyse the treatment of perspective |
| teaching methods |
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| Knowledge |
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| Monologic (Exposition, lecture, briefing) |
| Monologic (Exposition, lecture, briefing) |
| Dialogic (Discussion, conversation, brainstorming) |
| Dialogic (Discussion, conversation, brainstorming) |
| Projection (static, dynamic) |
| Projection (static, dynamic) |
| Activities related to graphics and visual arts |
| Activities related to graphics and visual arts |
| assessment methods |
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| Oral examination |
| Oral examination |
| Analysis of a presentation given by the student |
| Analysis of a presentation given by the student |
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Recommended literature
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Jak rozumět obrazům : malby a jejich náměty. V Praze : Slovart, 2006. ISBN 80-7209-786-5.
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Baleka, Jan. Výtvarné umění : výkladový slovník : (malířství, sochařství, grafika). Vyd. 1. Praha : Academia, 1997. ISBN 80-200-0609-5.
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Baxandall, M. Stíny a světlo. Brno : Barrister a Principal, 2003. ISBN 80-86598-58-6.
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COLE, Alison. Perspective. Bratislava : Perfekt, 1995. ISBN 80-85261-77-4.
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David Bann. Polygrafická príručka. SLOVART s.r.o. Bratislava, 2008. ISBN 978-80-8085-590-1.
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Jacques Aumont. Obraz. Akademie múzických umění v Praze, 2005. ISBN 80-7331-045-7.
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Kandinskij, Vasilij Vasil'jevič. Bod, linie, plocha. 1. vyd. Praha : Triáda, 2000. ISBN 808613816X.
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Kentová, S. Kompozice. Bratislava : Perfekt, 2000. ISBN 80-8046-164-3.
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Krejča, A. Techniky grafického umění. Artia, 1981.
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Losos L. Techniky malby. Praha-Aventinum, 1994. ISBN 80-85277-03-4.
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Noel, L. Fotografické videnie a zobrazovanie. Osveta, 1983.
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Ondrej Bartko. Farba a je použitie. SPN Bratislava , 1980.
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Parramón, José María. Teorie barev. Čes. vyd. 1. [Praha] : Svojtka a Vašut, 1995. ISBN 8071800465.
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Smith, R. Encyklopedie výtvarných technika a materiálů. Praha : Slovart, 2000. ISBN 80-7209-245-6.
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