Lecturer(s)
|
|
Course content
|
The course focuses on a detailed analysis of the development of narrative film throughout various decades of the 20th century. During the semester, we will examine key milestones, titles, and creators who shaped cinematic history in the following decades: 1. Decade 1960-1969: The era of New Waves and prominent auteurs.
|
Learning activities and teaching methods
|
Lecturing, Dialogic (Discussion, conversation, brainstorming), Analysis of a work of art
- Participation in classes
- 26 hours per semester
|
prerequisite |
---|
Knowledge |
---|
Basic knowledge of means expression in cinematography. |
Basic knowledge of means expression in cinematography. |
learning outcomes |
---|
to distinguish the characteristics of the artists discussed |
to distinguish the characteristics of the artists discussed |
to characterise genres and their elements |
to characterise genres and their elements |
to list potential representative works for the discussed decades |
to list potential representative works for the discussed decades |
to ist potential representative authors for the discussed decades |
to ist potential representative authors for the discussed decades |
navigate through the fundamental figures of cinematography |
navigate through the fundamental figures of cinematography |
Skills |
---|
construct one's own argumentation |
construct one's own argumentation |
critically perceive audiovisual works |
critically perceive audiovisual works |
to analyse selected works |
to analyse selected works |
to engage in a discussion about a work |
to engage in a discussion about a work |
to create a presentation on the chosen topic |
to create a presentation on the chosen topic |
teaching methods |
---|
Knowledge |
---|
Analysis of a work of art |
Dialogic (Discussion, conversation, brainstorming) |
Lecturing |
Lecturing |
Analysis of a work of art |
Dialogic (Discussion, conversation, brainstorming) |
assessment methods |
---|
Oral examination |
Oral examination |
Analysis of a presentation given by the student |
Analysis of a presentation given by the student |
Recommended literature
|
-
Bird, Robert. Andrej Rublev. Vyd. 1. Praha : Casablanca, 2006. ISBN 80-903756-0-X.
-
BISKIND, Peter. Bezstarostní jezdci, zuřící býci: jak generace sexu, drog a rokenrolu zachránila Hollywood. Praha: Mladá Fronta, 2012. ISBN 978-80-204-2259-0.
-
BORDWELL, David a Kristin THOMPSON. Dějiny filmu: přehled světové kinematografie. V Praze: Akademie múzických umění, 2011. ISBN 978-80-7331-207-7.
-
Bordwell, David a Kristin Thopson. Umění filmu: úvod do studia formy a stylu. Praha, 2011. ISBN 978-80-7331-217-6.
-
Kalin, Jesse. Ingmar Bergman a jeho filmy. Vyd.1. Praha : Casablanca, 2007. ISBN 978-80-903756-5-9.
-
LEWIS, John. Looking past the screen: case studies in American film history and method. Durham: Duke University Press, 2007. ISBN 978-0-8223-3821-5.
-
Płażewski, Jerzy. Dějiny filmu 1895-2005. Vyd. 1. Praha : Academia, 2009. ISBN 978-80-200-1689-8.
-
PTÁČEK, Luboš. Akira Kurosawa a jeho filmy: existenciální obraz světa. Praha: Casablanca, 2013. ISBN 978-80-87292-23-5.
-
TARKOVSKIJ, Andrej. Krása je symbolem pravdy: rozhovory, eseje, přednášky, korespondence, filmové scénáře a jiné texty 1967-1986. Příbram: Camera obscura, 2005. ISBN 8090367801.
-
Žalman, Jan. Umlčený film. Praha, 2008.
|