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Lecturer(s)
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Course content
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The course focuses on a detailed analysis of the development of narrative film throughout various decades of the 20th century. During the semester, we will examine key milestones, titles, and creators who shaped cinematic history in the following decades: 1. Decade 1900-1929: The beginnings of cinematography, silent film, and technical innovations. 2. Decade 1930-1939: The Golden Age of Hollywood, major film genres, and global trends. 3. Decade 1940-1949: World War II and film, film noir, and the post-war period. 4. Decade 1950-1959: The post-war era, new waves in cinema, and technological advancements.
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Learning activities and teaching methods
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Lecturing, Dialogic (Discussion, conversation, brainstorming), Analysis of a work of art
- Participation in classes
- 24 hours per semester
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| prerequisite |
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| Knowledge |
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| Basic knowledge of means of expression in cinematography. |
| Basic knowledge of means of expression in cinematography. |
| learning outcomes |
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| to distinguish the characteristics of the artists discussed |
| to distinguish the characteristics of the artists discussed |
| to characterise genres and their elements |
| to characterise genres and their elements |
| to list potential representative works for the discussed decades |
| to list potential representative works for the discussed decades |
| to ist potential representative authors for the discussed decades |
| to ist potential representative authors for the discussed decades |
| navigate through the fundamental figures of cinematography |
| navigate through the fundamental figures of cinematography |
| Skills |
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| construct one's own argumentation |
| construct one's own argumentation |
| to analyse selected works |
| to analyse selected works |
| critically perceive audiovisual works |
| critically perceive audiovisual works |
| to analyse the artist's handwriting |
| to analyse the artist's handwriting |
| to engage in a discussion about a work |
| to engage in a discussion about a work |
| teaching methods |
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| Knowledge |
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| Analysis of a work of art |
| Analysis of a work of art |
| Dialogic (Discussion, conversation, brainstorming) |
| Lecturing |
| Dialogic (Discussion, conversation, brainstorming) |
| Lecturing |
| assessment methods |
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| Oral examination |
| Oral examination |
| Analysis of a presentation given by the student |
| Analysis of a presentation given by the student |
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Recommended literature
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BORDWELL, David a Kristin THOMPSON. Dějiny filmu: přehled světové kinematografie. V Praze: Akademie múzických umění, 2011. ISBN 978-80-7331-207-7.
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Bordwell, David a Kristin Thopson. Umění filmu: úvod do studia formy a stylu. Praha, 2011. ISBN 978-80-7331-217-6.
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LEWIS, John. Looking past the screen: case studies in American film history and method. Durham: Duke University Press, 2007. ISBN 978-0-8223-3821-5.
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Płażewski, Jerzy. Dějiny filmu 1895-2005. Vyd. 1. Praha : Academia, 2009. ISBN 978-80-200-1689-8.
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